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Category: Episode

The Mind String and How to Pull It

The podcast has finally come around to its final Robert Culp episode, “Double Exposure.” In it, Culp plays Dr. Bart Kepple, an expert in psychological manipulation who uses subliminal filmmaking (with salty expensive snacks and a gun) to murder with his first victim. The second one? He just shoots the guy in a projection booth, nothing too fancy. Joining in is author Jeannie Vanasco (The Glass Eye), who also speaks about her personal experience with the series through her relationship with her father. And hey! Viewer Mail!

A Seven-Letter Word for Green Leaf

Do you like surprises? Of course you do, and “A Bird in the Hand…” is full of them! Not one, but three murders? Greg Evigan doing an outstanding job as the killer? A 90s episode that is actually very good? Yes! All of these things and more, in a greasy little noir-ish story full of twists and turns and double-crosses. One thing that’s not a surprise? The wonderful insights of returning guest, Dr. Christy Blanch.

These Girls Have Their Health

In “Columbo Cries Wolf,” Ian Buchanan is one half of the inexplicably popular skin mag, Bachelor’s World. When the other half, Diedre Hall, decides she’s had enough of his philandering with the magazine’s models and wants to sell out, he kills her. Or does he? Well, yes, eventually. But before that, the two of them spend almost the whole running time of this episode making Columbo look like a chump, as he chases after dead ends and clues that lead nowhere. Jon and guest Tim Turner (Bitter Bastard Nerdcast) disliked this one waaaaay less than RJ. Variety is the spice of life, after all.

Shop-Worn Bag of Tricks

In “Ransom for a Dead Man,” Lee Grant is a high-powered attorney who shoots her husband, then constructs an elaborate kidnapping plot in order to point the feds in the wrong direction. Unfortunately for her, the local cop assigned to the case is none other than Lt. Columbo. Once the kidnapping crosses over into murder and it’s under Columbo’s jurisdiction- her chances? Not so good. Interestingly, this is the second of two pilots made for the show and you can definitely see the nice details that we all come to know as Columbo-esque.  Really fun added feature to the podcast- attorney and writer Bob Ingersoll (The Law Is a Ass) is here to analyze the legal details in this one, as well as shed some light on other episodes and how well they’d stand up in court. Also guesting is the mysterious “Jim from Detroit.”

Daddy’s Here!

So, this pilot for Mrs. Columbo,  this “Word Games.” It has Kate Mulgrew. It has Robert Culp. It has Edie Adams. It has Bob Dishy. It has a host of other good people. It has the car. It has Dog. It does not have Columbo. But, it also has a great deal of unpleasantness. A great deal of missed opportunity. The whole thing is just odd and confounding, so much so that Jon and RJ actually go through an episode in chronological order FOR THE FIRST TIME EVER. Historian and author Amanda Reyes (Are You In The House Alone?: A TV Movie Compendium 1964-1999) is back on the program, to help sort through the whole mess. If you’d like to see for yourself, it’s on YouTube.

How Did We Get from “Murder” to “Word”?

In “How to Dial a Murder,” Nicol Williamson plays Dr. Eric Mason, a behavioral psychologist looking to exact revenge on his business partner, who may have had an affair with the doctor’s late wife. This revenge takes the form of having trained dogs viciously tear the partner apart after hearing the phrase, “Rosebud,” all while Dr. Mason listens with pleasure over the phone. Quite a guy. Columbo sees right away that these dogs couldn’t be the sole culprits and sets out right away to ensure that they aren’t the only ones going to the pound. Author Glen Erik Hamilton (Every Day Above Ground) returns to analyze the episode, as well as posit the idea of a “Sinister Six” for Columbo villains. Who’d be in that? Let us know!

 

Carnegie Hall and Nashville, They Don’t Mix

The Season One finale, “Blueprint for Murder,” stars Patrick O’Neal as an architect whose big upcoming project is placed in jeopardy due to a minor funding issue. What issue? Well, a Texas tycoon’s (Forrest Tucker) young second wife has agreed to devote a huge chunk of the galoot’s fortune to the project and he’ll have nothing of it. So, the architect’s only way to keep the development alive is to kill the tycoon by… uh… well… we never find out exactly. Which is weird, right? It’s just one of many off parts of a solidly okay episode that prevent it from possibly becoming one of the good ones. Peter Falk directs for the only time and he’s good! Really! There are just some odd things here and there that don’t quite gel. Mallory Ortberg (Dear Prudence) returns to the show to sort it all out and talk about how much we all loved the Texan’s ex-wife, Goldie.

I’m Fuzz

What’s this? A high-ranking delegate from a Middle Eastern nation has committed murder to cover up the the theft of $600,000? Yes, it’s “A Case of Immunity”! Thanks to a mistaken assignment, Columbo just happens to be around when Hector Elizondo starts killing off his embassy staff in order to cover up a sloppy embezzlement. In the end, Columbo gets him, sure, but- well, it’s an episode with a few good moments and some drawbacks. Professor Emily Houh is on the show to talk about the good, the not-so-good and hot dogs. Lots of hot dogs. And The Kinks. And critical race theory. And Die Hard. Plus: Viewer Mail!

Torpedoes Running Straight, Hot, and Normal

In Season Two’s “The Greenhouse Jungle,” Ray Milland and his nephew cook up a fake kidnapping scheme to get at the nephew’s $300,000 trust fund. The scam goes off without a hitch- well, except for the nephew, who ends up getting murdered by his uncle. It’s a broad, odd anomaly of an episode, but Milland plays things to such a ridiculous hilt that it retains the fun, despite a few bumps here and there. Kevin Mellon (Archer) is here to talk about the whole thing, along with the Kubert School, deadly clowns on Matlock, the Goo Goo Dolls, and the Human Hickory Farms Log.

I Never Saw a Guy Unwind That Fast

Wayne Jennings is a tennis layabout and wannabe actor who’s romancing several women at once, including a famous romance novelist. When she (apparently) threatens to break off their relationship over the phone, he drives across the great state of California to shoot her in cold blood. Well, except maybe he didn’t? Because she might have already been dead? Or maybe not? Or maybe she didn’t call him in the first place? Because there’s this sister of hers you see and… oh, whatever. It’s all very soap-opera-ish. Jon loved, loved, loved it. RJ and guests Donna Bowman (AV Club) and Noel Murray (Rolling Stone, New York Times), not so much. WHO WILL BE ON THE RIGHT SIDE OF HISTORY? Also discussed: expectations of genre, Detroiters and Swamp Thing.